BOOKS
Runagate: Songs of the Freedom Bound
Duke University Press, 2025
Winner of the 2025 North Carolina Roanoke-Chowan Award for Poetry
“The voices of the ransomed African Americans that Crystal Simone Smith reclaims in Runagate are resolutely alive. Smith captures the emotive and embodying possibilities of haiku and tanka to invite readers to reckon with their rejection of ‘the laws of slavery’ and invite us to imagine their lives beyond the confines of the posters and capture notices that once held their histories. This is the poetry of destiny, revealing Smith’s grasp of the infinite possibilities of formal poetics and of the living spirits who dared to claim freedom for themselves and for those of us who are blessed to hear their stories.”
– Sheila Smith McKoy, author of The Bones Beneath
Dark Testament
Henry Holt and Co., 2023
The Children’s Book Council Notable Social Studies List Award, 2024
Dark Testament gives voice to the mournful dead, their lives unjustly lost to violence, and to the grieving chorus of protestors in today’s Black Lives Matter movement, in search of resilience and hope. With poems found within the text of George Saunders’s Lincoln in the Bardo, Smith embarks on an uncompromising exploration of collective mourning and crafts a masterwork that resonates far beyond the page.
Ebbing Shore
Horse & Buggy Press, 2022
Winner of the 2022 Haiku Foundation Touchstone Distinguish Book Award
Ebbing Shore is a limited-edition book of haiku designed by Dave Wofford of Horse and Buggy Press. As a poet of African descent writing haiku, Crystal’s approach, while conjured by the natural world, often shifts to that of cultural experiences. The focus is often historical, dating back to American slavery.
$15.00 including shipping
Down to Earth
Longleaf Press, 2021
– AMBER FLORA THOMAS, Author of Eye of Water, The Rabbits Could Sing, and Red Channel in the Rupture
One Window’s Light
Unicorn Press, 2017
“This collection is like a window that presents the light of insights into African American history and culture and offers fresh haiku for the reader to see, hear, touch, smell, and taste for a growth of sensibility, a moment of enlightenment, a rhythm of creative thinking, and an appreciation of African American heritage. The most impressive part of this collection is its focus on environment and current events, offering a clear point of view that haiku is not just about nature; it is also about human nature and society.”
– JOHN ZHENG,
Editor of African American Haiku: Cultural Visions